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Audition
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Country
: |
Japan |
| Year: |
1999 |
| Genre: |
Horror |
| Format: |
DVD
/ Theater |
| Running
Time: |
1H56 |
| Distributor: |
Universe
Laser & Video CO. |
| Date
reviewed: |
12/17/2001 |
| |
|
| Producer: |
Satoshi
Fukushima, Akemi Suyama |
| Director: |
Takashi
Miike |
Cast: Ryo Ishibashi, Eihi Shiina,
Tetsu Sawaki, Jun Kunimura, Renji Ishibashi, Miyuki Matsuda,
Toshie Negishi, Ren Osugi, Shigeru Saiki, Ken Teruishi
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Story:
Shigeharu Aoyama (Ryo Ishibashi) is simple widower living
a lonely life with his son, Shigehiko (Tetsu Sawaki).
Going off an idea from his producer friend, Yasuhisa
Yoshikawa (Jun Kinimura), Aoyama decides to participate
in a fake audition in order to find a suitable woman
to remarry. Though innocent in execution, Aoyama is
successful in the mock audition and finds a beautiful
girl by the name of Asami Yamazaki (Eihi Shiina), who
seems more than what she portrays herself to be. Filmed
with unbridled ferocity and unrestrained intensity,
Takashi Miike presents his horror magnum opus, "Audition."
Review: I hate this film... I hate this film
simply for the sole reason that it accomplishes what
many films before its time has failed to do: Scare
the living shit out of me.
And I don't scare easily mind you. I've sat through
many and all horror films that saturated the silver
screen with as much gore and knife stabbing action
to shake a one-legged donkey with. But "Audition"
is a whole other thing. A whole other entity by itself
in terms of terror, and I swear to god, the sheer
thought of the film sends shivers down my spine and
for the first time in my life, I shudder at the thought
of a cute, lithe and tawny Japanese girl who's willing
to love me long time.
"Audition" is as much fun as the Incredible
Hulk stripping you down, bending you over and sodomizing
you with all his Lou Ferrigno might. It is definitely
an erection killer and you will not recover from Takashi
Miike's film.
But nonetheless, this film is utter genius and amazing.
If it wasn't for the fact that I sat in a cold Landmark
theatre freezing my ass off, I could say that this
was one of the most exciting movie going experiences
I've ever had. I walked into this film with all the
hype in the world of something truly scary and terrifying
and I came out twitching in absolute and utter frightfulness
and shock.
The most effective aspect of the film in terms of
narrative and storytelling was the overall pacing
and tempo of "Audition." From the very start,
Miike presents the audience with a charming and lovely
story about a father coping with his loneliness. Using
captivating interactions of Aoyama with his son where
they discuss marriage, girls, and basic companionship,
a beautiful and fully charismatic relationship is
defined and presented. These scenes were photographed
in long takes, slow camera movements and projected
with little or no ambiance. Some of the more powerful
scenes were of Aoyama just sitting in his den, leaning
back, staring at his dead wife's picture and contemplating
his situation in life. Early on, you worry, sympathize
and wish nothing but happiness and joy from this man.
You become a concerned friend.
Worst yet, coming off as an affectionate story about
a man, his son and their life without a female figure
in their immediate family, "Audition" takes
a small, dreamy focus towards a romantic story between
Aoyama and his newly discovered love interest, Asami.
Between the dating and charming chit chats between
the two, an adorable rapport is formed based on the
way they each come undone with one another and how
unload the insecurities and anxieties they have about
life and people in general. Inevitably, the film comes
full circle to where the audience is fully invested
in this man's life and his pursuit for happiness and
love.
After all this set up and time developing characters
the audience can relate to, the film begins its slow
and decelerated direction into madness. If you were
apathetic before, you will care now.
Even throughout the film, Aoyama questions himself
and the way he has gone about searching for his idealistic
woman. Though the audience understands that Aoyama
searches for more than an obedient and beautiful woman,
it becomes unclear as to whether his actions are morally
just. He represents both the lucid and illogical.
It is pointed out earlier in the film that there is
this gaping hole in his life and the comforts and
the availability of a woman would definitely help
fill the cavity. Does he do it for his own selfish
reasons, hiding behind a shroud of curiosity or does
he honestly yearn for love and a mother forhis son?
And does he truly deserve everything that comes in
the end?
There is this phenomenon in Japan about the way they
portray their women in films, books, art and other
forms of entertainment. Experts and socialist call
it the "demonizing" of the female figure.
While men are socially accepted as perverts and sexual
beasts, women are painted portraits of devils and
beings that stalk and torture their male counterparts
in the form of emotional and physical abuse. Depending
on which side of the gender coin you may be on, some
may view "Audition" as either irrationally
stripping women of their morale and ethics, turning
them into fiends of society, or the ultimate in female
retribution, feminists for the new millennium.
Whether or not Takashi Miike's intentions for "Audtion"
to be a commentary on Japanese culture, it still reflects
and continues to perpetuate a societal tendency. Originally
a book written by Ryu Murakami, "Audition"
is intelligent, potent in its imagery, efficient in
delivery and depending on how squeamish and unstable
you may be, successful in scary the living heck out
of you.
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DVD
[ NTSC, Region 1
] :
I'm very impressed. This is the third release from
The American Cinematheque (after BLACK TIGHT KILLERS
and FEMALE CONVICT SCORPION). The DVD comes in a great
digi-pack which looks like the same as those used
by HK Video (France) for their releases. The image
quality is only Widescreen, not anamorphic (this is
where the prefect is lost), but still is far better
that the Hong Kong Region 3 release. The sound is
a very good, original Japanese Dolby Digial 5.1 audio
track and the subtitles are also of excellent quality,
great timing and very clear. But where this release
really shines is in the EXTRA department. An intreview
with Takashi Miike (22 min), a commentary audio from
the director (starts at chapter 18), Miike Bios, photo
gallery, 2 trailers of AUDITION and 5 extra trailers
of Upcoming Cinematheque releases (such as Happiness
of the Katakuris and City Of The lost Souls). The
last extra consist of a tour documentary about the
story of the Egyptian Theater. This is no doubt the
best release available of this movie, especially for
a Region 1 DVD, which will be easy for fans of AUDITION
to find. I'm glad that American Cinematheque took
the time to make an excellent release with this great
Miike film and I jsut can't wait to see what they
are preparing us for his next two releases.
DVD
[ NTSC, Region 3
] :
The
Universe release has a Letterbox transfer and comes
in Dolby Digital 2.0. In general, the image quality
is not too bad, but I found that the contrast to be
a bit bright and sometimes came off as a little foggy,
but pleasing enough for the average viewer. The only
available extra comes in the form of a trailer. I
would suggest those that own a DVD player that can
read PAL DVD's, you should go for the Tartan release
which is a better transfer and contains some decent
extras. But if not, the Universe edition is satisfactory
for those yearning to see "Audition.
Reviewed
by J. D. Nguyen
DVD Reviewed by Janick Neveu
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| Story |
Cast |
Entertainment |
Subtitles |
Overall |
| 3.5 |
5 |
5
/ 1 |
4 |
5 |


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