Story:
Lok works for the welfare department. She helps move
a handicapped girl, Ming Ming, into a shelter for the
mentally challenged after the girl's father dies. The
locals are constantly rallying against the shelter,
blaming the residents for the recent increases in rapes
and murders. Soon Ming Ming is raped herself, by the
inconspicuous Mr. Chan. After an unresolved and unfair
trial, Lok decides to trap Chan herself in true Category
3 fashion.
Review: "Red to Kill" is one of
those movies that you may get an odd stare for saying
you're a big fan of. Personally, I thought the movie
was fun, but even typing that makes me seem a bit
disturbed. Truth be told, it's typical HK Category
3 sleaze, but it's executed with such enthusiasm it
was hard to stay disgusted for long.
The concept itself may turn off a large group of
possible viewers. There's nothing initially more reprehensible
than a rapist set loose in a home for the handicapped.
It sounds like a nefarious film plot and an episode
of South Park at the same time. As an advanced warning
to everyone, if these first couple of paragraphs have
completely turned you off, the movie will do nothing
for you and it's best to stay far away from it.
Questionable taste in plots aside, Billy Tang presents
"Red to Kill" shot in a fantastic black
and blue manner, creating tension in every scene and
shrouding the initial mystery in a veil of horror.
While nothing in the movie is frightening, it's the
trembling fear and disgust of the characters that
is conveyed particularly well. But this isn't high
art, this is cookie crumb sleaze at the bottom of
the bucket, all of which is completely encapsulated
within the beast that is Ben Ng.
That's right, Ben Ng is gonna own your ass for about
an hour and 36 minutes. Even during the credits you'll
keep peeing yourself thinking of him in those funky
suspended hot pants slamming a sledgehammer from wall
to wall screaming at his next victim. His presence
alone boosted my enjoyment of this movie ten fold.
His evil technique can be dissected into three slightly
different variations:
Secretly Crazy:
In this form, Ben Ng knows he's crazy, the audience
knows he's crazy, but everyone else is a clueless
sucker to his sweet talking game. He's mild mannered
and treats everyone with their respectfully deserved
courtesy, but there's that certain tic in his eye
that lets you know he may get butt naked and go on
a rampage at any second.
I'm Alone So I Can Be As Crazy As I Wanna
Be Crazy:
Ng's solo scenes in "Red to Kill" are among
the most intense and insane forces of repressed sexuality
and rage I've seen. he chops wildly at a mannequin
and grasps the blinds with heavy gasps. Blue light
glides over his office as he maniacally grunts and
groans with the force of a Sasquatch.
I See Red...Hulk Mad...Rape You Crazy:
When Mr. Chan sees the color red, especially on a
young gorgeous lady, his rage is pushed to the maximum
capacity. This is when he just goes ape and blazes
the screen with an unheard of level of sweaty sadistic
sex acts. Everyone else is overshadowed by Ng in this
movie, and he's among the top three reasons you need
to watch it. I'd list the other two but someone would
probably lock me up and throw away the key.
As far as gore and violence goes in this film, it
isn't as brutal as most in terms of bloodshed. The
real horror lies in the rape scenes, and while not
on a level of disturbing reality such as the film
"Irreversible", anyone who squirms at the
mere thought of these depictions should stay away.
While I can't say I enjoyed watching these segments,
I did think they were effective and well done, if
at least as a means to draw in more intense hatred
for Mr. Chan and his vile personality.
There is also a shower scene with Ming Ming in the
film that is arguably more unsettling than any of
the violent rape scenes. There's no need to describe
what transpires, but mentioning it is just another
warning flare to those blindly stepping in to view
this film.
With a decent cast lead by one outstanding performance,
an effective atmosphere and violence that doesn't
seem quite as gratuitous in comparison to some of
the genres other offerings, "Red to Kill"
will satisfy the few and the secretly proud that enjoy
watching Category 3 films. I enjoy these movies for
what they are, grisly depictions of many things you
would never want to witness in real life (as well
as showcases for some of Hong Kong's most radical
actors and hate-worthy characters). Despite the fact
that sleaze is the order of the day, you could do
much worse in this category, and this one stands out
as one of my favorites.