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Hinokio
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Country
: |
Japan |
| Year: |
2005 |
| Genre: |
Sci-Fi
/ Children |
| Format: |
DVD |
| Running
Time: |
1H51 |
| Distributor: |
AVP
(Asia Video Publishing) |
| Date
reviewed: |
05/22/06 |
| |
|
| Producers: |
Shuuji
Ichiyama, Hidekazu Uehara, Takuji Ushiyama |
| Director: |
Takahiko
Akiyama |
Cast: Kanata Hongo, Mikako Tabe,
Masatoshi Nakamura, Maki Horokita |
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Story:
Satoru is a boy who had some rough cards dealt to him:
he barely survived an accident that killed his mother,
and has real trouble recovering from it. In order to
help him, his father (who conveniently happens to be
a robotic engineer) creates a robot who can be controlled
by Satoru. The robot (quickly labelled 'Hinokio' by
the school kids, because of hinoki-wood used for some
of its parts, but also because of the obvious similarity
to Pinocchio) goes to school and tries to re-connect
with the outer world, all the time puppet-mastered through
remote control by the boy, who remains secluded in his
room. The process is not easy, but in spite of occasional
cruelty and hardship, there is also love and friendship
out there...
Review: Japan has a long tradition of stories
about boys who refuse to grow up as well as of those
about artificial 'boys' unable to fit in their society.
With the technological development of this nation,
SF was used more and more to express some burning
contemporary issues, and so story about Pinocchio
was merged with sci-fi motif of the robot, thus making
the classic story for kids (written by an Italian
author) into a very Japanese, very adult motif –
a cultural archetype which obviously resonates with
the nation's psyche, since we find it over and over
again in both manga and feature films.
Unlike PINOCCHIO
964 (the first title I reviewed for KFCC
and thus especially dear to my heart), HINOKIO is
a film aimed at kids. The titular character is not
an android but a robot whose function in the plot
is entirely different. Hinokio is not an independent
character at all: 'it' is merely an empty shell, a
proxy through which our young protagonist attempts
to re-enter the world. Thus, the film's promo material
is a bit deceiving: the image on the DVD cover (a
boy hugging the cute robot) would make you expect
yet another variation on 'a boy and his robot' theme,
with a tinge of E.T. vibe suggested also by the nonsensical
subtitle ('Inter Galactic Love'). It is not really
so. Satoru does not have any relationship with the
robot: he has relationships through the robot. Hinokio's
origin is not 'inter galactic' but very, very domestic,
as it's created by Satoru's father, and the only hint
of love in the film is, again, not inter-galactic,
but very inter-human...
HINOKIO deals with serious issues, like childhood
trauma, abandonment, alienation, suicide, retreat
from the world into an otaku-existence in a cyber-world
of video-games... In this case, the boy's alienation
is triggered by a tragic accident in which he saw
his mother die, while he was left temporarily shell-shocked.
His key problem (dealing with the rest of the world)
divides into three: coping with his schoolfriends
(some of whom bully his robotic proxy); creating a
real human touch (romance) with a girl; and, equally
important, re-establishing contact with his father.
HINOKIO does not shy away from the occasional 'darkness'
of its themes and cruelties that the boy is subjected
to, both physical and emotional, and for something
that could too easily (and wrongly) be dismissed as
a 'kiddie flick', it is surprisingly mature and honest
in dealing with its themes. Some of the situations
(especially the scenes in his school) may seem familiar
and generic, but even they are accomplished with a
real emotion, and manage to be both funny, entertaining
and touching. HINOKIO turns a bit too sappy only towards
the end (with the inevitable 'dead' boy resurrected
by love and sacrifice), but even the over-emotional
ending is well deserved by what preceded it.
For a film like this to succeed, the key lies in its
convincingness, and HINOKIO packs a wallop in that
regard: you'll believe every second of it thanks to
the excellent performances of all involved, especially
Kanata Hongo who has a difficult task of portraying
an emotionally scarred six-grader Satoru. Of course,
in a story centered around a robot you'll have to
believe 'its' performance as well, and Hinokio itself
(or should I say 'himself'?) is made real through
an amazing mix of puppetry and CGI. No wonder, since
Takahiko Akiyama's experience as an F/X designer (most
notably for FINAL FANTASY: THE SPIRITS WITHIN) comes
into play, and will challenge you to spot rare occasions
in which you can be sure whether you're watching a
robot-puppet or a CGI creation. Other than the seamless
execution, Hinokio should be also commended for its
design, which makes it/him rightfully take a place
in a pantheon of memorable characters for children.
HINOKIO is one of those cherished films aimed primarily
at kids, but highly watchable for adults as well.
In terms of its themes and imagery, it is a Japanese
counterpart of what would probably be rated PG-13
in the USA (well, perhaps even PG), and is thus strongly
recommended for both kids and their parents. Watching
it with your kid may help establish a new connection
and deal with some important issues that you may not
have come across so far.
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DVD
[ NTSC, Region 3
] :
xAVP's DVD is a very fine presentation of the film,
doing justice to its visual and aural beauties: a clean
and sharp anamorphic widescreen is a joy to watch, while
audio options include Japanese AC3 6.1, Japanese DTS
6.1. and Cantonese dub in AC3 6.1. There are subtitles
in Traditional Chinese and (very good ones) in English.
Sadly, this edition does not sport any extras other
than a trailer, but as far as the presentation of the
film itself goes, it's nearly perfect.
Reviewed
by Dejan Ognjanovic
You
can buy this movie on DVD at:
|
| Story |
Cast |
Entertainment |
Subtitles |
Overall |
| 4 |
5 |
4 |
5 |
4 |

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| © 1999-2005 by KFC
Cinema. All rights reserved. |
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